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Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps. Austin, may repeat it if he pleases to his master, Jonathan Wild,—I have not. . "Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day. Nigel! You have not forgotten. ’ Gerald unfolded his arms and threw his hands in the air. "There's his knock. .

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