Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. This one was Henry Esmond, that one the melancholy Marius, and so forth and so on; never any villains. A woman’s shoe lay on the threadbare carpeting. "Under these circumstances, Rowland did what any other sensible person would do. The stairs were outside but they had been covered with a thin plastic roof. Her hair was the one part of her that did not exude the air of wealth. But then—Oh! Madam, there are moments—moments of darkness, which overshadow a whole existence—in the lives of the poor houseless wretches who traverse the streets, when reason is well-nigh benighted; when the horrible promptings of despair can, alone, be listened to; and when vice itself assumes the aspect of virtue. He reached for her, and she struck savagely. ’ Melusine bit her lip on a sharp retort. "Quite sorry, my good friend, there should have been any misunderstanding between us," observed the woollen-draper. ” “Fame!” “Isn’t it? ‘I’ve not seen your play, Mr.
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