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II. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. She had tried him as a Crusader, in which guise he seemed plausible but heavy—“There IS something heavy about him; I wonder if it’s his mustache?”—and as a Hussar, which made him preposterous, and as a Black Brunswicker, which was better, and as an Arab sheik. ’ ‘Hélas, poor you,’ Melusine rejoined sarcastically. He was braver than her husband, who paced and cowered in the corners of the once-sunny Palazzo. She moved towards it slowly and picked it up, holding it out in front of her whilst the familiar perfume seemed to assert itself with damning insistence. Lord, I am sixty.

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