There were seven tales in all—short stories—a method of expression quite strange to her, after the immense canvases of Dickens and Hugo. "I can't say I do," replied Wood. Leonardo would not have married her. This one was Henry Esmond, that one the melancholy Marius, and so forth and so on; never any villains. They used the rope—not that a rope was at all necessary, but because Ann Veronica’s exalted state of mind made the fact of the rope agreeably symbolical; and, anyhow, it did insure a joint death in the event of some remotely possibly mischance. \" \"May Day. ” “I don’t mind knowing,” said Ann Veronica. The first of these, the Press Room, a dark close chamber, near Waterman's Hall, obtained its name from an immense wooden machine kept in it, with which such prisoners as refused to plead to their indictments were pressed to death—a species of inquisitorial torture not discontinued until so lately as the early part of the reign of George the Third, when it was abolished by an express statute.
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